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Leslie has been working with non-profit organizations and their senior management teams for more than 30 years, first as an attorney and then as the long-time head of BRIC, the Brooklyn arts institution. During her 13-year tenure, BRIC’s budget grew from $3.7M to $15.8M, and BRIC launched numerous new initiatives including BRIC TV, BRIC Lab, a renowned youth media education initiative, and BRIC Workspace, all of which are intended to invest in artists and media-makers.

Our signature film challenge is back in NYC this August! Expand your network while creating a polished short film in one weekend.

Accepted participants will be placed on crews and work with women and nonbinary filmmakers in every role of production. It's FREE to apply and participate, and we provide cinema-quality equipment courtesy of our sponsors, production insurance, stipends to submit to film fests and more! 

On Saturday, Aug. 6, participants will meet their teams for the very first time at a pre-production meeting. On Thursday, Aug. 11, we will pull a different genre out of a hat for each team and assign a prop that teams must incorporate — and then the challenge begins! Teams will write, shoot and edit their films (3 to 10 minutes long) and submit them by 11:59 p.m. on Sunday, Aug. 14. See your completed film on the big screen during a premiere on Thursday, Aug. 25!


Applications are closed for this upcoming challenge. Sign up for email updates so you don't miss the next one! 

Meet the Panelists

  • How is the Women’s Weekend Film Challenge different from other film challenges?
    With most challenges, one person pays a fee to sign up and then gathers his or her own crew, equipment, location, funds, production insurance, etc. The participant submits a completed film based on a given prompt for a chance to win a prize. For the Women’s Weekend Film Challenge, you apply (for free!) as an individual. If accepted, we place you on a complete crew with equipment, production insurance, a cast, training, film festival submission waivers, a small production stipend, a free screening and after-party, and more, all provided by the Women’s Weekend Film Challenge. We strive to make the crews as egalitarian and collaborative as possible. For that reason, no single participant owns the rights to the completed film. We view our filmmaking process as a vehicle for creating meaningful networks and advancing your career. If you are looking to develop your own IP, this is not the right film challenge for you.
  • What does the Women’s Weekend Film Challenge provide?
    Your crew: We vet all of the applicants and place accepted individuals onto complete crews of 25-30 filmmakers, covering all roles of production (from actors to composers to cinematographers to post sound mixers) Equipment: We've secured several generous sponsors for all of our crews so that each crew has top-of-the-line gear to work with. Software: Writers and directors will receive a license of FinalDraft and editors will have access to EndCrawl. Production insurance: Our production insurance covers all Women’s Weekend Film Challenge productions. Stipend: A small stipend for each team to help with costs like food and transportation. Screening & after-party: A screening of all of the completed films at a major venue with industry insiders in the audience. Film festival stipend: each crew has a few hundred dollars to apply to festivals. Training & Workshops: Although all of our participants are professional filmmakers, a weekend-long challenge is a new process for many and so we provide the following training: An orientation meeting for team leaders, as well as a 40-page guide for leading a team through the challenge; a workshop for directors, screenwriters and team leaders to meet and collaborate; a pre-production meeting for all teams; opportunities for participants to learn how to use the provided gear in advance of the challenge weekend; a written IMDb tutorial to help all teams get their films on IMDb; a film festival submission tutorial event where we train participants on how to use FilmFreeway, how to find the right festivals for each short and how to write a great cover letter
  • Is the Women’s Weekend Film Challenge a competition?
    No; it’s a challenge rather than a competition. That’s because we want to lift everybody up. Our team leaders have been known to create a group chat and ask each other for advice during pre-production. At the post-challenge film screening, we encourage participants to watch the other teams’ films with an eye toward who they might want to hire or collaborate with in the future. A rising tide lifts all boats!
  • How much does it cost to apply and participate in the Women’s Weekend Film Challenge?
    It’s absolutely FREE to apply and FREE to participate in the challenge! Teams may request for up to $30 from each team member to cover miscellaneous expenses like food or transportation if necessary. You are not required to pay this if it is a financial burden. The post-challenge film screening is also free to participants. Plus-ones can purchase a ticket to the screening.
  • Is this paid?
    No. This is not a paid gig; it’s a free networking opportunity.
  • So if you don’t charge an application fee or a participation fee, how is the Women's Weekend Film Challenge funded?
    We work year-round to secure funding so that we can keep the program free for participants. Our funding comes from grants, donations, sponsorships, speaking engagements and donations to our virtual events. If you would like to make a personal donation (tax deductible) click here. You can also support us by joining our monthly giving platform, Patreon, to gain access to career-building workshops and other content. Contact us if you’d like to bring us to your school, college, company or other organization for a speaking engagement and/or workshop, or if you know someone who would like to sponsor the challenge.
  • If I donate to the Women's Weekend Film Challenge, what will my money go toward?
    Your donation will go toward the following expenses: Providing production insurance Providing stipends to the teams to cover costs such as food and transportation during production Venue rentals for our screenings and networking events General operational and programming costs Bringing the film challenge to other cities to offer this opportunity to more filmmakers
  • I already have a great script or an idea for a short film. Can I bring that idea to my team so that we can produce it during the challenge?
    DO NOT bring your pre-existing script ideas into this challenge! The scripts are supposed to be written on the Thursday night of the challenge and based on the genre and the required object that we assign to each team. Since this is a collaborative process with limited resources, the script can, and most likely will, be altered. Plus, you may have to drop out for some kind of emergency and we don’t want the teams to have to start all over if you’re not comfortable with them running with your idea (one of the reasons why any material created during the challenge belongs to the challenge). Save your pre-existing script ideas for a project where you have more control over the finished product. This program is for people who want to have fun challenging themselves and meeting incredible collaborators.
  • Who owns the rights to the films?
    Women’s Weekend Film Challenge retains the rights to all films made during the challenge. This allows us to provide insurance and equipment to the teams; it prevents any legal conflicts between team members; and it helps keep the emphasis of the challenge on networking and collaboration.
  • When will you be coming to my city?
    Currently we host challenges in NYC and LA, but we have plans to expand to more cities in the future. The best way to stay updated on developments is to sign up for our mailing list.
  • Where does the film challenge take place?
    Our upcoming August 2022 film challenge will take place in New York City. You must be a resident of the greater New York metropolitan area in order to participate in this challenge.
  • How can I apply?
    Filmmakers in every role of production apply using the same form — whether you're a director, actor, cinematographer, gaffer, composer, or one of the many other on-set roles. On the application, you'll have the option of applying for up to three roles in order of preference. For example, if you're a director, writer and producer, you could apply for all three within the same application. Depending on the role, you will be asked to submit work samples for our team to assess.
  • What is your vetting process?
    Along with recommendations from our panels of screenwriting, directing and cinematography judges and our casting director, we personally review every single application. We look at applicants' websites, reels, and answers to application questions. We are looking for talent and experience as we fill the positions on each crew. With the exception of those applying as production assistants, who do not need on-set experience, we require that you have experience fulfilling every role that you apply for. When you are placed on a team, you can rest assured that your fellow crewmates are up to the task of completing a short film in one weekend!
  • What are the chances of getting accepted?
    It depends on what role(s) you’re applying for! We always have a high number of applicantions for director, writer, actor and producer positions, so there’s a greater chance that you’ll be placed on the waitlist if you apply for these roles, even if you’re super talented. If you’re placed on the waitlist, please apply again next time. We tend to get fewer applications for roles such as production sound, post sound, gaffers, assistant editors, DITs, post-production supervisors and assistant cameras. If you have experience in these positions, there’s a higher chance that we will be able to place you on a team. On the application, you will be able to choose up to three roles that you’d like to be placed in, from your first-choice role to your third-choice role. If you would be happy to be placed in multiple different roles and have experience in these positions, there is a greater chance we will be able to accept you.
  • Can I be selected to perform more than one role in the film challenge?
    In some cases, we will assign participants to multiple roles, such as a production sound mixer who doubles as a post sound mixer, or an editor who also works as a colorist. However, we don't assign someone as a writer/director or an actor/producer, for example. For one thing, these roles are in such high demand that we want to ensure that we offer this opportunity to a larger number of filmmakers. Plus, it is not possible to complete both of these roles under a tight deadline. Please do not apply for a role that you would not be happy to fulfill.
  • Should I apply for roles I don’t want just to increase my chances of being placed on a team?
    No. If you’d only be happy participating as an actor, for example, don’t fill out second- and third-choice roles on your application. If someone applies for multiple different roles, that means that they would be happy to be placed in those roles AND that they are qualified for those positions. However, if your main goal is to network and you'd be happy to help out on set, we recommend you apply for any role you can fulfill.
  • Can I request certain people are placed on my team?
    One aspect of our challenge that participants enjoy the most is meeting a team of complete strangers. This is the quickest way to expand your professional connection and really get a chance to prove yourself to working professionals in every field of production. So no, you cannot choose your crewmates, but trust the process and see where it takes you!
  • What happens if I apply and then I get a job the conflicts with the challenge?
    We know it can be difficult to commit to an unpaid opportunity when your livelihood depends on you being available. While we’ve seen our past participants get career-changing jobs based on referrals from fellow participants, it can be hard to balance that uncertainty against a known paycheck. We love when our participants are working; the whole point of this challenge is to get underrepresented filmmakers more jobs. If you need to drop out because you got another job, let us know right away. If you’ve already been placed on a crew, make sure your team leader knows as well. We would really appreciate if you helped to find a replacement for yourself, but it’s not required.
  • I’m in film school. Can I still apply?
    Yes, you should definitely apply, however priority is given to professionals with a record of excellence. When someone invests their time into this challenge, we want to make sure they’re surrounded by people who can hire and refer them for more jobs. But we also want to give students a chance to build their network for when they graduate. You are far more likely be placed on a crew if you apply for roles such as a PA, assistant editor (if you have experience in that field) or boom operator if you are still a student.
  • I don’t identify as a woman. Can I still apply?
    We welcome anyone who wants to tell women’s stories.
  • Is this a SAG-AFTRA production?
    No, not at this time. We would love to work with SAG-AFTRA actors in the future, but currently, team leaders are allowed to ask every member of their team for $30 toward food and transportation, which would conflict with union guidelines.
  • I messed up my application. What should I do?
    Please resubmit an application. Where it asks for why you want to do this challenge, add that you are resubmitting due to a clerical error. Unfortunately we do not have the resources to follow up with applicants if a link doesn't work or a field is left empty, so please make sure to fill out the application as thoroughly as possible.
  • What are some of the reasons I might be placed on the waitlist?
    Common reasons for being placed on the waitlist include: Not being available for the ENTIRE challenge weekend. Insufficient materials for us to judge (i.e. lack of website or reel, broken links), especially if you applied to be a director, actor, writer or cinematographer. You got assigned to your first choice role for a past challenge, and there was too much demand for your first choice this time around. You applied as an actor but your website indicated you were SAG (this is a non-union production). Only selecting one role you were interested in filling. (We very much appreciate that you did not select any roles you were not interested in! However, if you only selected “director” and we had already filled the director slots, this meant that we were unable to get you on any of the teams in another capacity.) Simply not enough slots available for everyone who participated. There were director reels we LOVED that we wanted to say yes to, but didn't have enough slots. There were actors that our casting director said great things about who we just didn't have space for. And there were many writers who got high scores from our screenwriting judges who we weren't able to place. It's a blessing and a curse to have SO MANY talented applicants!
  • I was placed on the waitlist. Is there a chance that I might still be placed on a team?
    People's schedule's change and there's a high likelihood that we will be filling some last-minute openings from the waitlist. If you were placed on the waitlist, keep an eye out for emails from Women’s Weekend Film Challenge. Waitlisted actors might even be offered a role during the challenge weekend itself. We release the contact information of waitlisted actors to the team leaders so that if any speaking roles or background opportunities arise in the writing process, they may contact you to fill these roles. Waitlisted actors are under no obligation to keep this weekend free, but there is a very real possibility that you may be offered a small role on one of the productions.
  • Am I on the waitlist for every role I applied for?
    Yes. If you were notified that you've been placed on the waitlist, we'll let you know if a spot opens up for you for any position that you applied for.
  • I participated before but was placed on the waitlist this time around. Does that mean that you didn't like my work?
    Not at all! We have so many talented applicants that sometimes we prioritize those who haven't had a chance to participate yet. We've waitlisted many past participants whose work we adored. Definitely apply again next time!
  • When does the challenge take place?
    The next film challenge is scheduled for August 2022 in New York City. Participants will be required to attend a pre-production meeting on Saturday, Aug. 6, in Long Island City, Queens. The challenge will begin on Thursday, Aug. 11, and end at 11:59 p.m. ET on Sunday, Aug. 14. A premiere screening of the films will take place on Thursday, Aug. 25, in Manhattan, followed by an afterparty.
  • What will happen during the challenge weekend?
    On Thursday, Aug. 11, WWFC will hold a genre reveal, when we will draw a different genre out of a hat for each team and assign a prop that each team must incorporate into their films. Teams will then begin writing their scripts. That same day, certain team members will complete equipment pickups. Once the script is complete, filming can start! The bulk of filming is completed on Friday and Saturday, and certain teams will complete their shoots on Sunday. Post-production, including editing, color correction, post sound and scoring, will be completed by Sunday, Aug. 14, at 11:59 p.m., when teams submit their films. Certain team members will be needed for equipment drop-offs on Monday, Aug. 15. There are also deliverables due Tuesday, Aug. 16, from the team leaders, editors and behind-the-scenes photographers/videographers.
  • If I have questions or concerns during the film challenge, who should I reach out to?
    Participants should reach out to their team leader with any questions or concerns. Team leaders receive training and support from WWFC and are in constant contact with the WWFC team. The Women's Weekend Film Challenge team is also available to address questions or concerns during the entire program.
  • What are the COVID-19 protocols on WWFC sets?
    All participants must show proof of full vaccination against COVID-19, or proof of medical or religious exemption. Masks must be worn at all times at indoor locations and are recommended for outdoor. Each team will have a COVID compliance representative who will report to our official COVID compliance manager. If a participant feels sick or has been exposed to COVID-19, they should alert their designated team member. Rapid tests will be provided at the pre-production meeting and first day of filming. If a participant tests positive for COVID at any point, they cannot participate in the challenge. That participant will still be invited to the screening once they are no longer contagious and are welcome to apply to future challenges.
  • What should I hope to get out of doing the challenge?
    Here are some of the tangible things you’ll get out of this experience: An IMDb credit A highly professional film to use for your reel Behind-the-scenes photos of you in action A screening of your work in an amazing venue And here are some the benefits that our past participants have loved: Gaining an instant professional network that has hired or referred them for paying jobs. Gaining confidence in their ability to perform under high pressure. Continuing education. A chance to participate in parts of production they're not normally involved in. For instance, our editors have mentioned how much they loved being involved with the pre-production meeting. Our writers who took on additional roles such as behind-the-scenes photographer loved being on set. We try to make this as collaborative and egalitarian as possible.
  • What can I do with the finished films?
    Every participant may add excerpts of the film to their reels. Team leaders are in charge of submitting the films to festivals (we give them stipends so the financial burden isn’t on them).
  • Are there any prizes for participating?
    This is a challenge rather than a competition, so there are no prizes for “best film,” “best director,” etc. We provide free festival submission waivers for all films that complete the challenge. Plus, at our screening, we provide all participants with various discount codes from partner and sponsor organizations, and certain prizes are raffled off.
  • What happens if the film wins a cash prize or a distribution deal?
    The vast majority of short films make no money at all. However, there are one-in-a-million cases in which cash prizes or distribution deals are offered for short films. Because any potential prize or deal would be unique, we would assess these on a case-by-case basis, in communication with the team that created the film and our lawyer.
  • Is there a screening of the completed films?
    Yes! Shortly after each challenge, we host a screening of all completed films, along with a networking after-party. Teams can begin submitting the films to festivals after the film festival submission workshop in order to bring the film to an even larger audience.
  • How much does it cost to attend the post-challenge screening?
    It's free for participants to attend the post-challenge screening. After the challenge weekend is over, we send out an email with a feedback form. Just fill out the survey to get your code for a free screening ticket! After giving participants a chance to reserve their tickets, we allow plus-ones to purchase tickets.
  • Will there be an after-party?
    Yes! We host an after-party directly after the screening so that our participants can network with each other over a drink, celebrate and take pictures in front of our step-and-repeat.
  • What if I can't attend the screening but want to see the films?
    Unfortunately we can't make the films available online or they would no longer be eligible for film festivals. Ask your team leader for the private Vimeo link to see your team's completed film. To see the other films, keep a look out on our Facebook, Instagram and Twitter accounts for announcements about upcoming film festivals and screenings.

We rely on a team of experts to review applications. If you submit for the role of writer, director, actor, or DP, a veteran in your field will assess your application and provide us with a score. We use those scores to make our final decisions about who to accept for which roles. If you are placed on a crew, you can rest assured that your fellow participants have been vetted and that you are working with a great team!

Missed the deadline?

Make sure to sign up for our newletter so you never miss another opportunity! And follow us on social media to keep up with the April challenge!

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We first met Nicole during the inaugural Women’s Weekend Film Challenge, when she worked as a PA on the short film noir “That Very Evening.” Then, in September, she worked on the mystery short “And So It Is” as a writer and sound mixer! When she’s not working on the film challenge, she works in film as a writer, director and sound mixer. We’re so excited to have her on board!

Screenwriting Panel

Because we get so many awesome people applying to be screenwriters on our challenges, we enlist the help of past participants to read the submissions and make recommendations. Each application for a screenwriter postition is read by at least two panelists and then scored on a scale from 1 to 5. Tracy and Katrina then take those recommendations and make the final decisions and crew placements.


March 1-10

Due to the high volume of applications, the window for applying runs from March 1 to March 10. Role assignments are announced by March 20.

RED Workshop

March 27, 7-10pm

A special workshop by RED for DPs, ACs, DITS, editors, assistant editors and producers to go over the equipment and workflow for the challenge.

Pre-Pro Meeting

March 30

All participants are expected to attend the pre-pro meeting to meet the team and discuss production. This will be in Brooklyn, a 2-hour slot between 12-5pm.

The Challenge

April 4-7

The challenge begins at 6 p.m.,  4/4, when all the teams are assigned a genre and a required prop. The completed film must be submitted by 11:59 p.m., 4/7.


April 18

We'll be screening all of the completed films at the Museum of Moving Image with an after party at George's. Free for participants.

Out of 1,100 films in the last ten years, only 43 were directed by women.*

Help Change this

Women's Weekend Film Challenge improves the representation of women behind and in front of the camera by creating and supporting film crews with women in every role.

Prospective participants can apply via a short online form. They will rank up to four roles they are able to fulfill in order of interest. For example, one prospective participant might list cinematographer as her first choice, lighting as her second choice, and assistant camera as her third choice if she has experience in all of those roles.​​ We will try to place her in the best role we see fit. If her first choice is writer and her second choice is script supervisor, we will try to place her in both of those roles.

Before the challenge

Dates will be released closer to the event. Sign up on our email list to be the first to receive updates.

Apply for free.

Applications are reviewed by WWFC.

Roles are assigned and released.

Orientations for teaml leaders, writers and directors.

Pre-production meeting with the entire crew.

Equipment workshop with provided gear.

During the challenge

Next up: Feb. 20 - 23, 2020, in LA

NYC 2020 dates TBA.

WWFC draws a genre out of a hat for each crew on Thursday at 6 p.m. Crews are also given a prop they must incorporate.

Screenwriters write the screenplay on Thursday evening.


Filming happens on Friday and Saturday.

Post-production on Sunday.

Completed film must be submitted by 11:59 p.m. on Sunday.

After the challenge

Dates will be released closer to the event. Sign up on our email list to be the first to receive updates.

Official screening and afterparty for completed films.

All films are added to IMDb.

Workshop for submitting films to festivals.

Access to database of participants.

Our films have been accepted into over 60 festivals. Make sure to follow us on Instagram for all the updates.

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Martha's Vineyard Film Festival

Sept. 3-8, 2019

Watch Pretty Dead on the beach at the next Martha's Vineyard International Film Festival!  

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Broad Humor Film Festival

August 29-Sept 1, 2019

Mila and Mimi Too, a film from the inagural challenge continues its festival run in LA!

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Official Latino Film and Arts Festival

July 9 2019

A great turn out for Pretty Dead which screened in the semi-finalist block.

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Queerly Short Film Festival

June 24, 2019

Daughters of Solonas, from the third NYC challenge, debuted .in this festival which showcased queer films and filmmakers.

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Indie Short Fest

May 15, 2019

Game Over, the horror film made during the second NYC film challenge, was accepted under the "best fantasy" category in this LA-based festival.

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HBO's Women in Comedy Festival

May 4, 2019

Past participants from all three challenges gathered to promote and support the future of the challenge. 

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Andrea Bunker

Casting Director

For the past 6 years Andrea Bunker has enhanced her craft from her casting mentor and former boss David Rubin, who is currently The President of The Academy of Motion Picture Arts and Sciences (AMPAS). Together they consulted for HBO on many green-lit projects from "Westworld" to "Succession."


In addition to consulting, Andrea was the Associate Casting Director on "Big Little Lies," "Sharp Objects" and various projects for Netflix, Hulu, SONY, Amazon and Fox. Since 2008, Andrea has been the Casting Director to over 40 independent projects (feature films, shorts, commercials and promos). 

Akilah Green


Akilah Green is a recovering lawyer-lobbyist turned writer. She currently writes for HBO's "A Black Lady Sketch Show" and NBC's "Perfect Harmony." Before that, she wrote for two seasons of Chelsea Handler's Netflix show, "Chelsea," where she also frequently appeared on camera. Akilah has also written for NBC's "A Legendary Christmas with John and Chrissy," The People's Choice Awards, The BET Awards, and Starter Pack on Facebook Watch. 


Akilah has been named one of “9 Black Female Writers Changing Hollywood” by VH1 and was chosen for The Young & Hungry List of Hollywood’s “Top 100 New Writers.” 

Claudia Raschke


Award-winning cinematographer Claudia Raschke is best known for her ability to bring the rich tones of the motion picture medium to a diverse spectrum of films, from highly stylized commercial endeavors to feature documentaries to lower-budget works of art.

Among her many notable award winning films are: Oscar-nominated "RBG," Oscar-nominated "God is the bigger Elvis" (HBO), Peabody Award-winning "Black Magic" (ESPN), Oscar short-listed "Mad Hot Ballroom" (Paramount), "Particle Fever" (Bond), "Atomic Homefront" (HBO), "The Freedom to Marry" (Argot Pictures) and many others.

Lakshmi Sundaram


Lakshmi Sundaram is a writer and actor on “Master of None.” Previously, she served as an executive story editor on “Brooklyn Nine-Nine.” Prior to that, she was on the staff of “Smash” and “Next Caller.” Sundaram is an improv writer/performer and the lead singer of a hip-hop band.

Emily Ting


Emily Ting is an award-winning writer, director, and producer. Her first feature "Already Tomorrow in Hong Kong" premiered at Los Angeles Film Festival and was distributed theatrically by Gravitas Ventures in 2016. Emily’s latest feature "Go Back to China" premiered in competition at the 2019 SXSW Festival and is being released theatrically in spring 2020.


Previously, Emily was most known for her producing work, having served as producer on Ishai Setton’s "The Kitchen" and Stephen Suettinger’s "A Year and Change". She also executive produced the films "Pit Stop," "Land Ho!" and "Man from Reno," which collectively have screened at Sundance, SXSW, Tribeca, and Los Angeles Film Festival. She most recently produced Lynn Chen’s directorial debut "I Willl Make You Mine," which is premiering at the 2020 SXSW Festival.

Caroline Roberts

Writer, Producer

Caroline Roberts is a writer, producer and director with over a decade of experience in the film industry. Most recently, she was the Associate Producer on the award winning film, "Mary Poppins Returns." She has worked on such films as "Nine," "Pirates of the Caribbean: on Stranger Tides," and "Into the Woods."


In 2017, Caroline wrote, produced and directed the short film, "Lily + Mara", for which she received a Global Shorts Award of Excellence for Best Screenplay and an Award of Merit for Best Short Drama. In 2018, Caroline entered the AT&T Createathon filmmaking competition, where her short film, "Better Than Somedays,"won Best Overall Mobile Film.


Caroline is currently in London working on her next feature film.

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Rachel Carey


Rachel Carey is a filmmaker and writer based in the New York City area. Her first feature film as writer/director, "Ask for Jane," starring Cody Horn, Sarah Steele, Sarah Ramos, Ben Rappaport, and Alison Wright, premiered at the 2018 Hamptons International Film Festival and was picked up for distribution by levelFILM. It screened theatrically in 10 cities in 2019. Other recent projects include writing and directing the 1-hour dramatic tv pilot Takers, which screened at several festivals including Seriesfest in 2016 (where it won an award for Best Actress in a drama) and writing the web series "The (Female) Genius," which is being launched on Thirdwing's new streaming service in 2020. She has an MFA in Film Directing from NYU, and has taught at several colleges and universities including Yale University.

Shanele Alvarez


Shanele Alvarez has DP’d multiple features (narrative and documentary) including "Dance Baby Dance" and "Neron," webseries, TV shows, and short films. Shanele is also a Local 600 camera operator and has operated on projects for HBO, ABC, CBS, Nickelodeon, The Jim Henson Co, and more.

Angele Cooper


At 28, Angele Cooper is the only African American female union electrician working within IATSE’s New York Local 52 & Texas Local 484. As a union electrician, she has played many roles from Gaffer to Best Boy working on festival favorites, TV shows & feature films. Her road to film and television is rooted in a love she developed for film and writing while attending the University of Texas at Austin, while on a full athletic scholarship. Angele is a Co-Founder of Alpha Female Films and currently being mentored by producers and directors of the Black TV & Film Collective & New York's Writers Guild of America chapter. She additionally starred in Season 4 of the hit A&E series, '60 Days In'. Her first feature is based off her experience on the show.

Cameron Morton


Cameron is a New York City based director, originally from Atlanta, GA. She has worked with Big Beach Films, and SPACE on Ryder Farm. Cameron is an alum of the Telluride Film Festival Student Symposium, and a graduate of North Carolina School of the Arts with a BFA in Acting.

Family, Addiction, and Isolation are recurring themes in her work, and she is drawn to narratives that highlight the natural world. She is a 2019- 2020 Jacob Burns Creative Culture Fellow.

Meredith Metcalf


Meredith Metcalf is a writer and producer whose plays have been seen at Dixon Place and Manhattan Rep. Her short films have screened at Sick Chick Flicks, the Museum of the Moving Image, and on Roku.


An Assistant Production Coordinator with Local 161, she has worked on films and television series including "Ocean's 8," "Uncut Gems," and "High Maintenance." She is a Next Wave member of New York Women in Film & Television and volunteers with Brooklyn Women's Film Festival.

Upcoming Events

  • Moon Rising -- relaunch party
    Moon Rising -- relaunch party
    Sat, Dec 02
    Dec 02, 2023, 7:00 PM – 9:30 PM
    Queens, 43-56 10th St, Queens, NY 11101, USA
    Dec 02, 2023, 7:00 PM – 9:30 PM
    Queens, 43-56 10th St, Queens, NY 11101, USA
    Spend a star-filled evening with filmmakers and celebrate the launch of our new future as Moonshot Initiative!
  • Virtual "Late Night" watch party and Q&A with director Nisha Ganatra
    Virtual "Late Night" watch party and Q&A with director Nisha Ganatra
    Sat, Apr 18
    Apr 18, 2020, 6:00 PM – 9:30 PM
    Apr 18, 2020, 6:00 PM – 9:30 PM
    Join us for an online Q&A with director Nisha Ganatra. Nisha directed the Sundance hit film "Late Night," starring Emma Thompson and Mindy Kaling. The film sold to Amazon in a record-breaking deal, and garnered the highest streaming numbers of the year. She is a Golden Globe winner & Emmy nominee.
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